Well dang... It's been six weeks since the last blog post. During that time I had a trip out to Denver with the OU MBA program, two work trips out to Bentonville, AR, another work trip out to Springfield, MO, and a crap ton of grad school work to plow through. It's been busy to say the least. Like, "stress induced physical pain" levels of busy. As always, crazy thanks to Saint Anne the Wife for putting up with my nonsense and keep our two housefires from burning the place down while I've been so busy and traveling .
This last week I had my final exams in both my Managerial Economics and Business Law & Ethics classes. I've not seen my final grades yet, but I'm confident I landed an A in my economics class and goodness knows what I got in that legal class. I'd applied to law school years ago, but decided against going. Still pretty sure I made the right decision, especially now after going through these last seven weeks. Still, there's plenty I picked up in that business law & ethics class considering the nearly 80 pages of handwritten notes and the 19 page study guide I'd put together in studying for that final.
Work-wise I got connected to a true crime show that kept me crazy busy. It's been a two camera shoot on Sony cameras (FS7s and/or FX9s) as well as a couple drone days on my Mavic 3. As much as I'm not a fan of Sony cameras and their dumpster fire of a menu, those FX9s are kinda growing on me; those FS7s can go straight to hell.
I picked up a couple used Hive Hornet 200-Cs LED lights that were on sale and I'm for sure a fan. I'm diggin' being able to control the color and intensity of my Titan tubes and now these 200-Cs with my iPhone. As much as I love the Hives, I've had some issues with the units shifting colors while I'm using the app, but so far I'm blaming user error. I'd love to pick up one of their Super Hornet 575-Cs, but that's crazy money. I also got introduced to some 3d printed gold mount plate covers that were super interesting. Can't say I'm rusing out to pick up a couple of my own, but the possibilities are interesting.
Another gem from the last few weeks was landing short-term drone insurance through Skywatch.ai. My current production insurance won't even consider covering drones, but I was able to pick up a month's worth of covereage for a client shoot for about $62. Not bad.
That trip out to Denver with the OU MBA program was an opportunity to meet with a couple businesses out in that part of the world as well as a chance to spend some time with fellow OU MBA students. We got a VIP tour of the Coors Brewery out in Golden, CO, plus we got to meet with a consulting firm and a few other OU MBA alums who're killing it in the business and finance world. I'm still hoping to use my MBA to better understand the business end of the work I get to do, but hot damn it's been worthwhile getting to be a fly on the wall in other industries and expand my business worldview.
I'm still hoping to write up some blog posts anchored in what I've been studying in these graduate business courses. My Managerial Economics class had me studying different pricing models and that has all kinds of implications to day rates and equipment rentals. My law class had an entire section on contract law that I actually used with a client in the last couple weeks and saved myself from losing a good deal of money. I've also been digging into artificial intelligence via ChatGPT, but that's something else entirely. Here's part of a ChatGPT response I got recently regarding cinematographer rates:
"...As an AI language model, I cannot provide a specific or exact figure on how much you should charge documentary clients for a full day of camera work since this can vary depending on various factors, such as your level of experience, the location of the shoot, the equipment needed, and the specific requirements of the client. However, there are some general guidelines that you can consider when determining your rate. The first step is to research the standard rates for cinematographers in your area and for the type of work you will be doing. You can look at industry associations, online resources, or ask colleagues in your field. Next, you should consider your level of experience, your qualifications, and the type of equipment you will be using. Generally, more experienced cinematographers can charge higher rates than those who are just starting out, and the type of equipment you use can also affect your rate. You may also want to consider the scope of the project and the expected length of time it will take to complete. Some clients may require additional services, such as post-production editing, which can also affect your rate. Ultimately, the most important thing is to determine a fair rate that takes into account all of these factors and ensures that you are being compensated appropriately for your time, expertise, and equipment. You can also negotiate with the client to find a mutually acceptable rate." - ChatGPT
My Filmsupply sales have absolutely tanked these last few months. I'd gotten spoiled with those licensing fees covering my monthly overhead and then some. I can't say for certain what's causing the decline, but I'm assuming it's related to rising interest rates eating into advertising budgets, where we are currently in the U.S. election cycle, the scope of my stock footage portfolio, and the world being on this side of Covid. That said, one of my clips was in a recent Joe Biden spot – now my third stock footage placement in a U.S. presidential election. It's a follow shot from a manufacturing plant and about 30 seconds in.
