This Week in Complexity

Did I tell you the one about moving my family across the country during a global pandemic while also dodging protests in every major city we drove through? Brooklyn, Philadelphia, Pittsburgh, Columbus, Indianapolis, St. Louis, Tulsa, Oklahoma City. The world was burning with a righteous anger over the death of another black man in police custody and I was driving a moving truck across the country with my dog sleeping in the passenger seat. Nearly everything we own was packed into that truck while Saint Anne the wife followed close behind in a rented SUV with our two house fires strapped into the backseat.

There's a tsunami of news, posts, and information about what's happening right now and trying to stay informed is like drinking from a fire hose. Honestly I'd much rather get into the recent release of a project I got to be on, but that blog post can wait. I'll not get into the weeds about the reality of institutional racism and police violence, but those four Minneapolis police officers killed that man. We left Brooklyn just hours before the protests broke out not far from our home and it's crushing to not be there during this time.

The past week or so here in Oklahoma City has had the wife and me focused on family and trying to adjust to life outside New York. Most of our stuff is now neatly packed into a storage unit that's six times larger and nearly a third of the price of what we had in Brooklyn. With all that's going on I feel like we're approaching Inception levels of our lives still being somewhat on hold. We're staying with our parents for a season before deciding what's next and there's plenty of room to sorta sprawl out compared to our small New York apartment; our boys are loving time with their grandparents. We even bought a car which is pretty much a must have in living here. The salesman looked at us like we had horns growing our of our face when we told him we hadn't owned a car in the last 18+ months.

In the midst of trying to get the dust to settle in our own major life event, I still strongly feel like it's important to not let what's happening in the world pass us by. Anne and I had a conversation about racism and police brutality with our seven year old. We stuttered and stumbled in our attempt, but we did the thing. Anne was eloquent as always, but what was helpful for me was to sit down with him and go through some of the photos posted from the protests, especially the ones taken not too far from our Park Slope apartment. One of the major focuses of our move to New York was to make sure our family was around people and ideas that were different than ours. Different races, different faiths, different political beliefs. No question we'd have participated in the Brooklyn protests if we were there. Like the rest of this country, Oklahoma has to address and work through its own problems and history of racism. There have been protests and demonstrations across the state and I jumped at a chance to participate in a peaceful event this past Saturday here in Oklahoma City.

Again, it's wild to be here for now, especially without serious plans. Being back in Oklahoma is like being on another planet considering all we've been through in New York. Anne and our boys will be back in the classroom in a few months and I'll be spending a good deal of time commuting to NY and wherever else for work once it spins back up.

Travel Week - Oklahoma City

Don't tell me what I already know; it's Wednesday and I'm two days late. It's a travel week for work stuff and I've been hustling around doing the thing. Last week had me on another shoot and (thankfully) working seven days straight only to jump on a plane the next day and head out on the next project. Have I mentioned that my wife is a Saint?

I'm back in Oklahoma City this week working again with one of my oldest clients, Cryder Marketing + Advertising. I met Sterling Cryder back in 2011 over a beer in our neighbor's backyard right as we both were getting started and we've been working together ever since. I've been busting my tail to make new connections in NYC, but I'm crazy thankful for the clients I still get to work with back in Oklahoma. Bonus points too for getting a chance to spend some time with my parents while I'm in town.

Surely I'll talk more about it later, but this week I'm doing some documentary work for Cryder and their client, Central Oklahoma Habitat for Humanity. We've already filmed two of our stories and I've got one more to go before heading back to New York early Thursday morning.

Phoenix and Red-Eye Flights

This week had me booked again with Running Robot to shoot out on their home turf in Phoenix, AZ. Being used to flying out of Oklahoma City all these years, it was a bit of a hike from New York to that part of the country. Flying out Wednesday afternoon got me there in time to get to sleep that night, pick up rental gear the next morning, the actual shoot, return rental gear, and then race back to the airport for a red-eye flight back to NYC Thursday night.

Big fan of LensRentals and how easy they make shipping across the country. For this trip, it was easier to rent and ship a similar tripod to a local FedEx vs. me traveling with mine. For grip and electric, I connected with MP&E Equipment Rental out in Scottsdale. They're 30-40 minutes outside of Phoenix but the scenery was worth the drive.

Speaking of Scottsdale, Chris Fenner – a solid Instagram follow and car enthusiast – introduced me to Four Coffee and their rubber stamps. Have I mentioned I've got a mild obsession with collecting rubber stamps from coffee shops? It's a thing and filling up my notebooks...

Once again, we were rocking the two-camera interview setup: Canon 5D Mark III with a 70-200 lens for the tight; Canon 7D with a 24-70 for the wide. They also had me shoot a third camera through the interview to act as additional B-roll for the edit. The Running Robot guys booked a conference room in a downtown Phoenix co-working space. Three of the four walls were floor-to-ceiling glass so reflections were a real issue.

Slowly but surely I too am preaching the good news of working with these 4' Quasar Crossfades. The slim profile let me get the backlight in a tight spot between the talent and the glass wall. The skimpy dimmers from the rental house were unusable trash, so instead I used some gaffe tape on the fixture to make a small skirt on the light cutting back some of the output. Oh, and the baby pin mounting option and rubber bumpers on each end of the tubes – so rad. The hodgepodge of color temps flooding the glass room from everywhere was a hot mess. I still feel like the color on these fixtures is a bit more red than I'm used to, but it's an easy fix in camera or post. My iPhone Xs was having issues too in getting the color temps correct for these BTS photos. Side note: we had to rig the audio boom pole to a light stand via spring clamps because we felt like it (and didn't have the proper mount anyway).

Can we talk for a moment about red-eye flights? They're pretty awful – but still have their place. By all means it was my choice in scheduling because I wanted "the experience." Plus I knew it would help budget-wise seeing as how expensive all this is. Plus (plus) I'd already scheduled a couple meetings back in NYC knowing I'd be back in time thanks to flying through the night. The air travel part isn't that bad. Yes, it sucks trying to sleep on a plane, especially on a rough flight and next to a seatmate who isn't into "personal space", "boundaries", or "jackets without massive shoulder pads." Some solid red-eye flight tips are only a Google search away and I know what I'll be doing next time – i.e. neck pillow, window seat, glasses instead of contact lenses, etc...

For me, the rough part of flights back to NYC is actually getting from the airport back to my place in Brooklyn. There's a tipping point between the financial benefits of public transit ($15-20 and 60-90 minutes) and the time and comfort of just hiring a car from the airport ($50+ and 30-40 minutes). It was seriously a trip stumbling into my now regular coffee shop knowing only a few hours earlier I was standing on the other side of the country (Phoenix to San Francisco to Newark). I was fried for my 11am meeting in Manhattan, but it still went well. I was two coffees in before my 1:30p back in Brooklyn, but again, it went well too.

Philadelphia for a Night and Day

Just before moving to New York a client I've worked with the last few years reached out about a quick shoot in Philadelphia. No question – let's go. I knew I'd already be in Brooklyn by then, so I did the normal thing and looked for flights, this time out of New York City. Google Maps made fun of me and let me know Philadelphia is a two-hour drive from the city.

"Don't be dumb, get a rental car." - Google Maps (pretty much).

Booking a car and picking it up in my neighborhood – easy. Driving in and around NYC and trying to park – I'd rather lose a fingertip in a fight with a table saw.

Not having to fly my gear on this shoot allowed a bit of wiggle room with my grip and electric budget. All the cool kids on the internet shoot with those fancy Quasar LED tubes but it's tough getting your hands on those Jedi laser swords in Oklahoma City. This is where Lightbulb Grip & Electric comes in. By far they were more than accommodating in my small order and made sure I had what I needed and knew how to use it. They set me up with two 4' Quasar Crossfades, dimmers, clamps, and c-stands.

After more than an hour trying to drive the four or so miles from Park Slope to the other side of Brooklyn to pick up the gear at Lightbulb, I was off to Philadelphia and working up fresh 'Yo Momma' jokes for the next table saw I came across. Good lord it was weird being out of the city after not being more than six to eight miles from my apartment for nearly a month.

It was dark when I got to my hotel in downtown Philadelphia and paid the $30 for overnight parking. I bundled up and headed out with a camera instead of camping out in my room because, again, that's what the cool kids do (I'm told). Word to the wise, the National Park Service Rangers – or at least the hired overnight security guards – will yell at you if you're walking too close to the chain railing on the street next to Independence Hall. Also, make sure your headphones aren't up too loud so you can hear them yell at you the first time. Oh, and they're not up for jokes if you're trying to lighten the mood and get them to stop yelling at you.

The shoot the next morning and the reason I was in Philadelphia went very well. We were shooting another two-camera interview for a series of client videos. It's not like these things come with a built-in location scout, so I showed up with my normal Rock-N-Roller cart full of gear. Thank goodness for carts. We had to park in a garage a couple blocks away and then use a service elevator to get where we needed to be in another building. Luckily I was able to get all my nonsense from the car to where it needed to be in one trip.

So those Quasars... I'm a fan. We were shooting in a white room with plenty of daylight bouncing around. If I'd just had my trusty tungsten ARRI kit (650/300/150) I'd be freaking out knowing the gel and diffusion death march I'd be putting it through in getting the color and softness I wanted while praying it still had enough horsepower to overcome the ambient light coming through the windows. Those Quasar Crossfades were soft and bright, and I was able to quickly dial in the color temperature to what I wanted. They also weren't hot so the talent wasn't melting and I didn't have to wait for them to cool off before packing up. They felt a bit more magenta than I was used to, but that could've been how my monitor was set up. I've heard the color temp warms up a bit as they're dimmed down, but I had them at full blast. Seemingly the only butt-pain in using these lights in a travel kit would be hauling around c-stands; surely there's an easy solution to that.

Clara the dog is up here with me in NYC and needed to be boarded overnight while I was gone. That was a whole thing too, but it was a great experience with both the neighborhood vet's office and the actual boarding facility. I'm assuming you're not here to read about my dog, but I will say she had a good time riding the subway. You're not supposed to have a dog on the train without them being in some kind of carrier – which again is a whole thing – but she immediately made friends on the train and surely made it on at least one more Instagram account.

So we made a thing

No clue. Absolutely no clue what was going on here. I'm just diggin' the fact that I've got friends who trust me and are basically up to make stuff no matter what.

In the latter part of June I'd bought a one-way ticket to New York City with plans to connect with friends, make stuff, and meet new people. In prepping for the trip I reached out to Olivia Abiassi to see if she'd be up to make something while I was in town.

Olivia is an actress friend of mine who I stumbled upon while casting a short film a few years ago. I say stumbled because she was actually off camera reading the female lead's part to help with the male talent's audition video. In hearing her read I immediately knew she was the lead I was looking for. She worked her tail off for that little passion project of mine and her performance was more than I could ask for. Fast forward a couple years she's now living and working in NYC.

Normally I'll put solid time and effort into prepping for a shoot. This project was more or less thrown together during my 45 minute subway commute from Washington Heights to her place in the Lower East Side of Manhattan. There was no scout ahead of time; Not even a decent concept. Just me plowing through her Instagram account and listening to a TON of Logic's "The Incredible True Story" album.

A few months ago she had posted a short clip of herself prepping for something and accidentally – and absolutely – struck gold. She's got a great sense of humor and doesn't seem to take herself very seriously. She's also got great eyes and facial expressions which absolutely deliver on camera.

This simple Instagram post opened the idea of her getting completely lost in her own world and caring less about what people around her thought. In just about everything I try to make there's a bit of me braided in somewhere. For this utterly informal short I started her off buried in her phone trying to keep up with either the nonsense of social media or the non-stop stream of the world's bad news. In putting on her headphones, she's able to escape for a bit.

From a production standpoint, the headphones were key. I sent her a playlist I'd put together during my commute, but we ended up keeping Logic's "Fade Away" on repeat and that kept her movement timing consistent. I on the other hand couldn't hear the music, gave some basic direction, and just had to keep up.

Just about every movement piece I've done recently has been shot off speed. There's a TON of grace and forgiveness in shooting in higher frame rates, but for this piece I wanted to challenge myself with shooting in real time and intentionally using longer takes in the edit vs. the easy out with quick pacing to hide mistakes.

The edit took a bit longer than I expected in trying to sync her movements to the music as well as the un-rehearsed and un-controllable aspects of the footage we got. There were plently of interesting looking shots that I just couldn't use because they didn't fit the music – not to mention the unusably soft shots I blew focus on.

We're not curing cancer or anything, but we did have a very loose storyline with a beginning, middle, and end. We honestly just wandered around the Lower East Side of Manhattan not far from her apartment just looking for good/interesting looking light. The ice cream break was intentional, but accidentally hitting someone on the subway with her purse while she was dancing wasn't; Thank God that very large man was cool as hell.

UPDATE: As per usual, the footage from this film is available for licensing over at Filmsupply. Speaking of footage licensing, here's an example of how it was used to create an actual spot. Thank goodness too because the proceeds helped me pay rent in May 2020 during the Covid-19 nonsense.

...a day late. Thx New York.

My bad. Monday's post didn't happen. But hey! It's Tuesday Wedensday morning and I'm doing the thing... My apologies to the five RSS subscribers – who I'm assuming are mostly bots at an Amazon server farm outside Boardman, Oregon.

I'd been in NYC since last Monday working to make new connections and continue building existing ones. Thank goodness for creative friends who've opened their homes, studios, and schedules to take me in.

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First and foremost, David and Cassie Bizzaro are freakin' saints. They've let me crash on their couch while I've been in town. David and I – along with puppeteer Jake Bazel – shot some new content for one of his YouTube channels that'll should be releasing soon. If you've not done so already, do yourself a favor and check out The Bayr Show. I got to the point where I couldn't breathe because I was laughing so hard throughout the Clap with Rhythm stuff.

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There's also this gem. Olivia Abiassi is an actress who played the lead in my 2015 short "Nora" while she was at the University of Oklahoma. She's now living in NYC doing the working actress thing. She and I ran around the Lower East Side of Manhattan with her dancing like a crazy fool in public in front of my camera. I'm working on the edit now and hope to release it soon.

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Outside the people I met, I also spent a good deal of time roaming the city. July 4th had my watch recoreded me walking just over 21 miles. Some of that was thanks to me roaming The Metropolitan Museum of Art for more than three hours and still not seeing everything. There was also the "Hey, I'm going to join the masses in watching the NYC fireworks in person." I figured that'd be awesome (meh, it wasn't) and I got some blurry photos of fireworks like everyone else in America that night. My blurry photos were intentinoal though. "Slow-shutter speeds, you're the best." he said in trying to justify carrying around a full-frame DSLR all day.

Back in NYC

Work last week had me back in New York City for the fourth time since November – that's a personal record for those keeping tabs. The first time I was in NY was summer 2002 while on tour with a music group from college and both work and personal travel have kept me going back over the years. I swear I’m slowing getting more and more familiar with the city.

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Days one and four of this most recent trip were travel days. Days two and three were spent wearing dress blacks and shooting b-roll of a corporate event in downtown Brooklyn. Crazy thanks to Rik & Heather at Rusty Dog Films for having me out again. They run a Chicago based production house and I’ve shot for them several times over the last couple years.

The now beardless David Bizzaro and I met up once I got in town and dropped off my luggage (Side note: go check out his short "The Pits" finally out on Vimeo). We hung out and got coffee near his office space in Dumbo and ended up watching a couple guys choreographing a sword fight with plastic light sabers.

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Afterwards he left for home and I trekked into Manhattan via the Brooklyn Bridge walkway, dodging selfie taking tourists, runners, and bicyclists along the way. David and I met up again with along with his wife in Washington Square Park and then went for dinner at a German spot in the West Village. That night had me falling for this part of the city and spending most of my free time there chasing food and non-tourist traps the rest of the four day trip.

The morning before my flight home got me re-connected with Ed Gungor. He was a pastor, mentor, and boss of mine while I was in Tulsa for undergrad and grad school. He and his wife Gail now live in NYC to be close to their kids/grandkids in the city as well as finish up his Ph.D.

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As an outsider who's spending more and more time in New York City, it feels like a place that's absolutely fine with different ideas. There's the smoosh of all kinds of people getting on and off the subway. There's the huge metal and concrete skyscrapers within walking distance to nice parks with grass and trees. I saw a homeless guy take a full-on piss facing the curb not far from the open air restaurant full of trust fund kids. That neighborhood sex shop was just as accepting as the children's bookstore and fresh squeezed juice place it sat between. The more I'm there, the more it feels like the kind of place I'd want to be part of.

Springtime in New York

St. Anne the Wife and I made it up north for a Spring Break in New York. Days one and two played nice weather-wise, but day three being the first day of Spring ironically brought a solid day of snow.

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We've done some of the touristy stuff before, but most of this trip had us intentionally wandering around a few different neighborhoods and dramatically adding to our daily step counts. We met up with a few friends living in the city and made some new ones as well. Anne's mom and my parents watched the kiddos while we were gone.

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Have Gear, Will Travel

The travel side of what I get to do is honestly worth the uncertainties and stress that are also part of this work.

A couple months ago a client hit me up about a shoot in south Florida scheduled for mid-January. When possible, I’ll head out a day earlier on my own dime to take in being in a new place or city. I’ve already been to Florida, but I’m not about to say “No” to a beach and a chance to find another decent coffee shop. Thank goodness West Palm Beach didn’t let me down.

It’s still slow season at the moment and every dollar counts, so I booked a cheap room for the night, got a rental car for less than it would have cost to pay for a ride share or taxi, and ate dinner at the United Club during a layover.

It's worth the effort to commit to one airline and take advantage of the perks. Years ago a DP buddy of mine got me hooked on United Airlines and I’ve not looked back. At this point, I'm not flying enough to get club membership via elite status, so I pay roughly $450/year in membership fees for a United MileagePlus Club Visa card. It gets me Premiere status with easier check-ins, earlier boarding, and two free checked bags on each flight, as well as United Club access. The two free checked bags perk alone helps me save a crazy amount of money considering all the gear I travel with and more than covers that yearly membership fee. There are other perks too, but those are the main ones keeping me a loyal United customer.

I found a solid coffee shop in downtown West Palm Beach and after breakfast, I walked up and down the beach until my parking meter ran out. Before meeting the rest of the crew, I picked up some gear I’d rented from Lensrentals and had shipped to a local FedEx branch.

We scouted the first location that afternoon before heading back to the hotel for the night. I’ll typically have my Canon 5Dmk3 with me on scouts along with my iPhone. For sure I’d rather scout the location during the same time of day before the scheduled shoot, but that wasn’t an option. The Sun Seeker app let me know where the sun would be during our shoot and Artemis helped me make some shot choices by being able to plug in my camera, resolution, and lens choices.

The shoot itself went well the next day. The creative agency, Signal Factory, hired me out with my RED Weapon Helium package and CP.2 lens set. We used their Oconnor 1030Ds fluid head and sticks plus their Dana Dolly. For the Dana Dolly, Signal flew out with their setup and we bought two 10’ pipes from Home Depot near the location. They’d also rented some additional grip & electric but we didn’t end up using it – pretty bummed we didn’t even turn on the ARRI Sky Panels.

Signal Factory had also hired a couple local photogs to shoot stills and drone footage so we had to coordinate on set as needed. The client nixed the second location and we were able to get all we needed at the first.

We dumped footage back at the hotel, cleaned up, and went out for dinner. Our flights were stupid early the next morning, so it wasn’t going to be much of a late night.

One thing I plan to look into this year to try and make my life easier in airports is TSA PreCheck. In addition to my checked bags, I travel with two carry-ons: a larger backpack (personal items, 13" MacBook Pro, and iPad) and a roller bag for my "must-have" camera gear (camera bodies and lenses). I always carry on my main camera gear just in case a checked bag gets lost. Clients are spending good money on me and my travel expenses, so it does them no good for me to show up to a travel job without my gear – it's happened before.

TSA typically freaks out at having to check all my gear during security screenings. There have been more security measure updates recently and when I was leaving Oklahoma City, the TSA agents took out all my camera gear, batteries, and iPad to X-ray again without giving me a heads up. I understand their purpose is our safety, but experience has taught me they seem to have more to think about than how to properly handle camera gear. TSA PreCheck is something like $85, lasts five years, and because they've already done a background check, it helps get you through security much quicker. Their website mentions that “In December 2017, 93% of TSA PreCheck passengers waited less than 5 min.”